A world-class collection of American art, stunning architecture, and 120 acres of Ozark forest with five miles of trails. Admission to the museum is always free.
Planning a visit to Crystal Bridges this spring? Use this guide to learn what’s on and what to expect this season.
We have something for all types of learners. From educator resources to family activities to scholars, find what speaks to you and engage with us.
There’s more to the museum than just the galleries— come enjoy hands-on creative fun with art classes for all ages and experience levels..
Crystal Bridges members receive year-round perks, invitations to member-only events, travel opportunities, and more!
Museum & Buildings
Trails and Grounds open daily sunrise to sunset.
Make memories at the museum as it comes alive for Spring Break!
Celebrate the turn in the weather, a week off from school, and our new exhibition Diego Rivera’s America with creative activities for all ages. Presented in partnership with the Latin Arts Organization of Arkansas, the week kicks off with our all-day community fiesta Pintura Fest and goes on to pack every afternoon of spring break with creative fun your family will love.
Create with local artists in the studios, explore Rivera’s vision of America, enjoy live performances as a family, try your hand at movement challenges on our obstacle course, learn from artist demos and community partners, and more!
Looking for even more to do at your museum? Be sure to check out the exhibition and Art in Bloom during your Spring Break visit, and keep an eye out for more activities as we finalize the week’s lineup!
Free, no tickets required. Drop in anytime from 1 to 4 p.m.
Developed by the San Francisco Museum of Modern Art (SFMOMA), Diego Rivera’s America examines a prolific time in the artist’s life through over 130 works, including his drawings, easel paintings, frescoes, and more. Between the early 1920s and the early 1940s, Rivera worked in both Mexico and the United States and found inspiration in the social and cultural life of the two countries. He imagined an America—broadly understood—that shared an Indigenous past and an industrial future, and where cooperation, rather than divisions, were paramount.
